All Blog Posts (25)

al breed Some recent class notes part 2

Since such great work was done in the end of the dwarf clock class I thought I'd add some end of week info.

Once the hood of the clock was assembled, the urned molding was glued on and the returns added. This is a bit tricky because you really only have one chance to get the cut on the arched piece right.…

Continue

Added by al breed on April 25, 2011 at 10:06pm — 5 Comments

al breed Some recent class notes

In the past month or so I've been  teaching on my home turf and away.

In early March I traveled to the Woodcraft in Norfolk, Va.on the invitation of Steve Houmis, an employee, cabinetmaker and class director of the store. We spent 4 days building a small 18th century case in order to learn the basics of early case construction.Thanks to Steve for the photo.…

Continue

Added by al breed on April 20, 2011 at 9:30pm — 3 Comments

al breed A Basic Cartouche

I just chose a cartouche to use in my upcoming carving class at Marc Adam's school next week and did a runthrough yesterday to figure out how to approach it. 

This is the sequence of operations, documented sporadically as I made my way through it. The wood is 5/8" white pine, although the real one would be mahogany, and probably larger than this 9 1/2" sample.

First thing I do is decide…

Continue

Added by al breed on April 8, 2011 at 7:28pm — 3 Comments

al breed John Townsend's Pediments

There's always interest in Newport furniture. It has unique design elements and exceptional execution almost all of the time. Lately I've been referred to as a source for some of this info, so I'll go over as much of the pediment work as comes to mind. The pics are a Townsend highboy we just copied.
The pediment board is glued to the front edge of the case top…
Continue

Added by al breed on November 19, 2010 at 1:06am — 6 Comments

al breed Weekend practice

My wife had the idea that weekend classes might be a good idea, and so after teaching years of one and two week classes, I'm happy to report that both the students and I have been happily surprised at how well things have gone.
The bottom line is that you can learn a lot in two days of carving. We carved ball and claw feet one after the other and the learning curve was noticeable. I always tell students that the best way to improve is repetition of the same element over and over and last…
Continue

Added by al breed on October 21, 2010 at 10:09pm — No Comments

al breed Daily favorites

We all have tools that we really get used to using. Here are a few that I use almost daily


The Stanley no. 6. I have a few dozen metal planes, but I pick up this one most of the time. It's long enough to make a nice level surface and just the right weight: it carries the effort you put into it, but not so heavy that you have to work just to pick it up. I have about 5 of these with different blades and throat widths, but I really only use one of them most of the…
Continue

Added by al breed on September 21, 2010 at 9:34pm — 3 Comments

al breed Carving a flame finial- "brush" type

I just finished carving some finials in the Philly style, that is, not your typical corkscrew or crazy provincial variation. So i guess it's more typical of the Phil. type. I'm illustrating this because it shows a manner of carving that is fairly improvisational and not easy to describe. You'll end up with your own style.
The first step is to just draw a wavy line from…
Continue

Added by al breed on August 9, 2010 at 10:08pm — 1 Comment

al breed Don't Miss These

This is just to let those of you who have wanted me to offer the Newport Tea Table class again that I am- May 16-27 2011. This is a marathon of a class, but well worth the effort. My patterns are from originals- this is exact stuff and we do it right!
It's not in the class section yet, so call or e-mail me if you're interested. I already have one deposit in…
Continue

Added by al breed on July 12, 2010 at 10:01pm — No Comments

Howard Steier I assume the intaglio carving on the Townsend leg is incised with a V-tool. Is this very precise carving where the modification of lowering the heel and wing angles that you showed previously comes…

I assume the intaglio carving on the Townsend leg is incised with a V-tool. Is this very precise carving where the modification of lowering the heel and wing angles that you showed previously comes in handy? It would seem that the downside of this modification would be a less durable edge, though maybe not a problem in mahagony.

Howard Steier

Continue

Added by Howard Steier on July 5, 2010 at 10:20pm — 1 Comment

al breed Where it Matters

In teaching and building period furniture I've come to know where the eye can notice inconsistencies and where it can't. Knowing where to worry about perfection and where to let it go can save you a lot of time and avoid anxiety.
First, an example of where it matters. In this knee carving there are…
Continue

Added by al breed on July 1, 2010 at 10:48pm — No Comments

al breed Mitred dovetails

I had made a set of these a long time ago, but had to do a set recently as a demo. There are different ways to do this- there can be a mitred plane at the inside of the DT's as well as at the outside, but this is the easier way, maybe with more useful glue surface.
The joint is laid out with a try square and marking gauge.…
Continue

Added by al breed on June 21, 2010 at 10:02pm — 6 Comments

robert f. trent "split spindles controversy"

This is a matter of measurement. Neither Peter Follansbee nor I suggest that the two "halves" are connected by a sheet of paper. The two resulting half-columns, as we call them, are markedly less than half a turning. As witness dopey early 20C restorations where the turnings are literally half and are thereby immediately detected. THe practice seems to have been gluing two blanks to a central piece of wood. As noted by Peter, this is quick and easy. Once the columns are turned, they are readily… Continue

Added by robert f. trent on June 15, 2010 at 9:13am — 1 Comment

al breed Tools You Don't Need

If I had the latest slick catalogue of Overhyped Tools on me, this list would be longer, but here are a few that come to mind:



Tools you don't need. (it's OK, we've all made mistakes)





1-Anything that's more than 50% brass. Get over it, iron is better. If you like shiny stuff, wear jewelry.



2-Lots of bench stones. Get a 1000 water stone and maybe one more somewhere below 4000. You got suckered on the rest. I bet you sand with less than 1000 grit, so…
Continue

Added by al breed on June 10, 2010 at 6:00am — 6 Comments

al breed Degrees of Perfection

One of the most important things that I think needs to be taken into consideration in reproducing old furniture is the fact that all furniture is not created alike in the aspect of its technical perfection. To take all work, regardless of period, to the same standard, be it high or low, is to take the piece out of the context in which it was created and to be guilty of what I think is the most dangerous of shortcomings in the reproduction… Continue

Added by al breed on June 6, 2010 at 12:13pm — 12 Comments

al breed Off The Shelf

I'm teaching a ball and claw class this week and we were talking about using tools right out of the box. In my opinion it's pretty much impossible.
The conversation got me thinking about some of the carving tools we're using, and so I photographed a few from my assortment that have been modified from their original shape.…
Continue

Added by al breed on June 3, 2010 at 6:07am — 2 Comments

al breed Please, Please, Please!- and I'm not talking about James Brown

Recently I read somewhere that the bannisters, or split spindles in old chairs were glued up, turned and then split apart. Please! This is nonsense if you think on it for a few seconds. If you were working in a poorly heated shop making chair parts, thousands of which were made for the export chair business in Boston, for example, would you plane down two pieces of wood, paper them together with expensive imported paper, clamp them up,… Continue

Added by al breed on May 22, 2010 at 7:14am — 7 Comments

al breed Three projects, five hours

Last week I had Tom and Mike building small chests, Steve carving a basket of fruit, and Sam Breed carving his first Newport shell. I took a bunch of pics of the various people and their projects:
Tom started out dovetailing his draw blades into the case…
Continue

Added by al breed on May 19, 2010 at 11:38pm — 2 Comments

al breed "Propping" an 18th century shop

You never know where this business will take you......
I was recently asked if I could provide all the props for an 18th century woodshop for a production company filming a 3D orientation film for a visitors center in a historic city. Sounded like fun.........
The set was built in place on the…
Continue

Added by al breed on May 6, 2010 at 10:00pm — No Comments

al breed Carving class ctd.-Philly draw front

After students have divided the "dish" into the lobes, they're then rounded over with backbents and 2's and 3's with inside bevels, so that they can be used like backbents. This is good practice for dealing with various grain directions, as the lobes cross the grain diagonally. You'll find a similar situation in most shells and fans. The alternate lobes are hollowed slightly with a shallow gouge and then scraped if… Continue

Added by al breed on April 30, 2010 at 7:00am — No Comments

al breed carving class

Intro carving class is underway. We're carving the draw front from a Philadelphia highboy, which involves work cut into the draw front as well as applied parts.
First step is dishing out the area that will be the shell. Both applied and incised shells…
Continue

Added by al breed on April 27, 2010 at 6:23pm — No Comments

The Breed School
American 18th Century Furniture by Hand
13 Liberty Street
South Berwick, Maine 03908

phone: 603.749.6231
email: breeds@comcast.net

© 2012   Created by Tom Edwards.

Badges  |  Report an Issue  |  Terms of Service